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https://altair.imarabe.org//notice.php?q=id:72929book2016La 4e de couv. indique : Born in Beirut to a Palestinian family in 1952, Mona Hatoum settled in London in 1975 after civil war broke out in Lebanon while she was on a visit to Britain. Her work addresses difficult and frequently confrontational themes, such as violence and oppression, often in reference to the human body - its vulnerability and its resilience. From her early narrative perfomances and videos, to later sculptures and installations where geometry and abstraction predominate, Hatoum challenges our vision of the world, exposing its contradictions and complexities. Through the juxtaposition of opposites, notably beauty and horror, she engages us in conflicting emotions of desire and revulsion, fear and fascination. Drawing on expansive career, this richly illustrated book reflects thirty-five years of consistently poetic and radical thinking. Eight essays, by a range of internationally renowned writers and curators, cover both the theory and practice of Hatoum's work, making this the essential book on one of the most distinctly powerful voices in contemporary art.1 vol. (196 p.) : ; 30 cm. ; ill. ;Installations (art)2000-....LibanInstallations (art)20e siècleLibanCatalogues d'expositionHatoum, MonaHatoum, MonaCritique et interprétationBlistène, BernardBrett, GuyFalguières, PatriciaHaapala, LeeviLasvignes, SergeMorris, FrancesRoss, ChristineSaid, Edward WadieSakari, MarjaVan Assche, ChristineWallis, ClarrieWestphal, BertrandAnglaisABES
Publié à l'occasion de l'exposition Mona Hatoum au Centre Pompidou, Galerie 1, 24 juin - 28 septembre 2015 ; à Londres, Tate Modern, 4 mai - 21 août 2016 ; à Helsinki, Musée d'art contemporain Kiasma, 7 octobre 2016 - 26 février 2017.. Publié pour la 1e fois en français en 2015.
Résumé éditeur :
La 4e de couv. indique : Born in Beirut to a Palestinian family in 1952, Mona Hatoum settled in London in 1975 after civil war broke out in Lebanon while she was on a visit to Britain. Her work addresses difficult and frequently confrontational themes, such as violence and oppression, often in reference to the human body - its vulnerability and its resilience. From her early narrative perfomances and videos, to later sculptures and installations where geometry and abstraction predominate, Hatoum challenges our vision of the world, exposing its contradictions and complexities. Through the juxtaposition of opposites, notably beauty and horror, she engages us in conflicting emotions of desire and revulsion, fear and fascination. Drawing on expansive career, this richly illustrated book reflects thirty-five years of consistently poetic and radical thinking. Eight essays, by a range of internationally renowned writers and curators, cover both the theory and practice of Hatoum's work, making this the essential book on one of the most distinctly powerful voices in contemporary art.