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In vested interests ; from passion to patronage ; the AbdulMagid Breish collection of Arab art / ; [editor Louisa Macmillan].

https://altair.imarabe.org//notice.php?q=id:129775 book 2020 AbdulMagid Breish describes his journey and how he became an art collector, as well as his passionate belief that any collector bears a cultural responsibility to support his regional and local art scene: in his case, the Arab world and Libya in particular. Breish also offers a frank assessment of the pitfalls of investing in art from a part of the world where provenance issues can often arise, yet he describes how building connections within the art world can mitigate this. From auction houses to galleries, to the artists themselves, he is especially keen on fostering relationships to increase personal involvement. In his case, his friendship with various artists has led to commissioning artworks directly and inspiring artistic practice indirectly. Breish's approach is novel, yet it provides young collectors with an alternative strategy for collecting and offers advice for what to look out for and avoid, as well as how to progress within the stages of collecting to become a full-fledged patron of the arts. 1 vol. (261 p.) : ; 29 cm. ; ill. en noir et en coul. ; Art contemporain Art Collectionneurs et collections Art Collections privées Art 20e siècle Pays arabes Artistes arabes 20e siècle Breish, AbdulMagid Collections d'art Macmillan, Louisa ABES
2020
Auteur/Artiste :
Macmillan, Louisa 19..-.... (Directeur de la publication)  
Année de publication :
2020  
Description matérielle :
1 vol. (261 p.) : ; 29 cm. ; ill. en noir et en coul.  
Notes :
Biographies des artistes représentés en fin d'ouvrage.  
Résumé éditeur :
AbdulMagid Breish describes his journey and how he became an art collector, as well as his passionate belief that any collector bears a cultural responsibility to support his regional and local art scene: in his case, the Arab world and Libya in particular. Breish also offers a frank assessment of the pitfalls of investing in art from a part of the world where provenance issues can often arise, yet he describes how building connections within the art world can mitigate this. From auction houses to galleries, to the artists themselves, he is especially keen on fostering relationships to increase personal involvement. In his case, his friendship with various artists has led to commissioning artworks directly and inspiring artistic practice indirectly. Breish's approach is novel, yet it provides young collectors with an alternative strategy for collecting and offers advice for what to look out for and avoid, as well as how to progress within the stages of collecting to become a full-fledged patron of the arts.  
Mots-clés :
Art contemporain  
Art  
Collectionneurs et collections  
Collections privées  
20e siècle  
Pays arabes  
Artistes arabes  
Breish, AbdulMagid  
Collections d'art