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The cinema of Muhammad Malas ; visions of a Syrian auteur / ; Samirah Alkassim, Nezar Andary.

https://altair.imarabe.org//notice.php?q=id:123316 book 2018 4e de couv. indique : This book provides an in-depth and intimate study of the cinema of Muhammad Malas. One of the well-known auteurs of Arab and Syrian cinema, Malas's distinctive cinematic project has always confronted the social and political issues of his time. From feature films Dreams of the City, The Night, Bab al Maqam (Passion), and Ladder to Damascus to documentaries such as The Dream and Aleppo: Maqamat of Pleasure, Malas's films challenge and explore Arab culture and history. Archival images run through the chapters of this book which combines insightful interviews with excerpts from Malas's literary works and critical explorations of his cinematic style and thematic concerns. The book concludes with Malas's own words, sharing the treatment of his film project Cinema al-Dunya 1 vol. (xviii-177 p.) : ; 23 cm. ; ill. en noir et en coul. ; Cinéma Histoire Syrie Films documentaires Syrie Malass, Mohammed Malass, Mohammed Critique et interprétation Alkassim, Samirah Andary, Nezar Palgrave studies in Arab cinema ABES
2018
Auteur/Artiste :
Alkassim, Samirah 1966-.... (Auteur), Andary, Nezar 19..-.... (Auteur)  
Année de publication :
2018  
Description matérielle :
1 vol. (xviii-177 p.) : ; 23 cm. ; ill. en noir et en coul.  
Résumé éditeur :
4e de couv. indique : This book provides an in-depth and intimate study of the cinema of Muhammad Malas. One of the well-known auteurs of Arab and Syrian cinema, Malas's distinctive cinematic project has always confronted the social and political issues of his time. From feature films Dreams of the City, The Night, Bab al Maqam (Passion), and Ladder to Damascus to documentaries such as The Dream and Aleppo: Maqamat of Pleasure, Malas's films challenge and explore Arab culture and history. Archival images run through the chapters of this book which combines insightful interviews with excerpts from Malas's literary works and critical explorations of his cinematic style and thematic concerns. The book concludes with Malas's own words, sharing the treatment of his film project Cinema al-Dunya  
Mots-clés :
Cinéma  
Histoire  
Syrie  
Films documentaires  
Malass, Mohammed  
Critique et interprétation